— as well as a few windy speeches explaining why bizarre things keep happening. Doppelgangers killing humans by slicing or stabbing them with sharp scissors. Still, after the film reveals itself to be the home-invasion thriller it is (and then the lesser Invasion of the Body Snatchers it becomes), you feel a slight letdown. There’s not too much gore just as much as like Get out but there’s a couple parts in the movie with cursing such as S/F but not too much this is a great movie... Dear 5 Star Reviewers: please stop. Working with cinematographer Mike Gioulakis, editor Nicholas Monsour, and composer Michael Abels, Peele has once again constructed a movie experience that functions first and foremost on the level of sheer terror. In “Us,” Duke shows off his comedic strengths as the dorky father who often embarrasses his kids, and his doppelgänger is a frighting wall of violence with little to say other than grunts and fighting his adversary. How Technology Is Reshaping Democracy and Our Lives, Participate in DigCit Week with your kid by using curated activities from Wide Open School, Online Playdates, Game Nights, and Other Ways to Socialize at a Distance, Keeping Kids Motivated for Online Learning, Set limits for violence and more with Plus. That’s just terrific filmmaking. Although they cry out to me, I will not listen to them.” - Jeremiah 11:11. Flash forward to the present: Grown-up Adelaide (Lupita Nyong'o) is now married to Gabe (Winston Duke), with a teen daughter, Zora (Shahadi Wright Joseph), and a young son, Jason (Evan Alex). Get full reviews, ratings, and advice delivered weekly to your inbox. Peele’s film, which he directed, wrote and produced, will likely reward audiences on multiple viewings, each visit revealing a new secret, showing you something you missed before in a new light. The performances are uniformly fantastic, but I was most impressed by Wright Joseph and Nyong’o, both delivering distinct and completely unique work. It pains me to say this. Very mature satire is unique, impossible to dismiss. A vibrant, appealing screen presence, Nyong’o brings a tremendous range and depth of feeling to both characters, who she individualizes with such clarity and lapidary detail that they aren’t just distinct beings; they feel as if they were being inhabited by different actors. Characters bash doppelgangers with blunt instruments (baseball bat, fireplace poker, golf club, etc.). Raises interesting questions about idea of doppelgangers. Us is great entertainment, a fearless mixing of serious and silly by a filmmaker who started out as a funnyman and continues to sharpen his comic chops. Peele uses an alternate cinematic language to Kubrick, seems more comfortable at teasing his story’s twists throughout the narrative unlike Shyamalan, uses suspense differently than Hitchcock, and possesses the comedic timing Spielberg never had. Us is a bit predictable and contains a few jumbled auditory edits. Like “The Shining,” there are a number of different ways to interpret Jordan Peele’s excellent new horror movie, “Us.” Every image seems to be a clue for what’s about to happen or a stand-in for something outside the main story of a family in danger. This delightfully deranged home invasion-family horror film works because Peele not only knows how to tell his story, he assembled an incredible cast to play two roles. With the ambitious home-invasion horror chiller Us, Peele goes even deeper into the conflicted territory of class and race and privilege; he also ponders the traits that make us most human. Let the Hitchcock comparisons come. Us is a very, very strange film. “Therefore this is what the Lord says: ‘I will bring on them a disaster they cannot escape. Any character in this film can earn a laugh. Is it shocking or thrilling? Peele deserves them well enough. In only his second movie as a director, Peele is already a master of tone, and Us is full of memorable, vivid touches. The movie shifts to the present day, with Janelle Monae on the radio as the Wilson family is heading towards their vacation home. Secondary characters are seen drinking heavily in a comic way, without consequences. Nyong’o gives a master class in acting in dual roles and is almost unrecognizable as her doppelgänger persona. Peele’s film, which he directed, wrote and produced, will likely reward audiences on multiple viewings, each visit revealing a new secret, showing you something you missed before in a new light. Perhaps Jason’s “Jaws” shirt is a reference to the rocket sweater the little boy wears in “The Shining” or it could be a warning about the film’s oceanside dangers. It is unquestionably Nyong’o’s film, and the 12 Years a Slave actress gives a nerve-flaying double performance. She whispers in a raspy but sinister voice that would make many people jump and run away. From the drops of doom on the soundtrack to a POV camera that frequently puts us face to face with horror, Us turns identity politics into the stuff of nightmares. Learn why our publication is different than most others, or read author and publisher testimonials about the USR. He’s his own director, with a vision that melds comedy, horror and social commentary. What to Watch, Read, and Play While Your Kids Are Stuck Indoors, Common Sense Selections for family entertainment, Stoke kids' love of reading with great summer stories, Check out new Common Sense Selections for games, Teachers: Find the best edtech tools for your classroom with in-depth expert reviews, 5 consejos para hablar con tus hijos sobre las elecciones, Which Side of History? Us is a tour de force of comic tension and visceral release, a movie that weaponizes our chuckles against us and reminds us that laughing, screaming and thinking are not mutually exclusive pleasures. Families can talk about the violence in Us. Peele is this generation’s Hitchcock, for sure, but also a true American original with introspective themes in hand and suspense to spare. There are jump scares, plus many attacks and killings with blood and gore. Suggest an update to this review. Horror fans may enjoy grisly, creepy carnival slasher. Sure. Hats off, too, to choreographer and movement consultant Madeline Hollander for bringing a shiversome physicality to the shadow roles that recalls the creepiest moments from Hideo Nakata’s Ringu. But real message here is that movie portrays a rather ordinary, interesting, likable African American family with no strings attached -- which is very welcome. Is the movie scary? Although she originally went to Boston University for biochemistry and molecular biology before landing in the sociology department, she went on to review films for The Boston Phoenix, WBUR, Dig Boston, The Boston Globe, and co-hosted the podcast “Cinema Fix.”. Peele wants us to talk, and he’s given audiences the material to think, to feel our way through some of the darker sides of the human condition and the American experience. ), and a boy uses the word "bulls--t." A man kisses his wife and makes silly comments and gestures to indicate that he'd like to have sex, but it doesn't go any further. Searching for streaming and purchasing options ... Common Sense is a nonprofit organization. As loaded up on stuff as Us is, there’s not enough to grab onto; it’s an alienating idea piece that lumbers away just as it’s about to reveal its true nature. But this time, he’s got so many ideas he can barely corral them, let alone connect them. As it stands now, it’s fascinating, a little maddening, and entertaining. Also promotes idea of the depth of a family's love. It's an undeniably well-crafted and brutally effective movie, but where Get Out created a sharp, satirical commentary on race relations, this one very simply presents a positive portrayal of an African American family. Best of 2018: Film Awards and Nominations, Music title data, credits, and images provided by, Movie title data, credits, and poster art provided by. Without a doubt. In Rodney Ascher’s  documentary “Room 237,” four theorists attempt to explain the hidden messages in Stanley Kubrick’s movie “The Shining.” The ideas about what the movie is about range from the possible to the downright bizarre. Could there be a "good" and "evil" version of a person? I couldn’t get there, though. See our. In one scene,  song "F--k tha Police" by N.W.A. Do the blood and gore seem over the top? As a sleekly-directed, crowd-pleasing horror film, it’s efficient, terrifyingly thrilling and a lot of fun. Unlike Get Out, which only swelled in impact as you left the theater, Us is best viewed on a visceral level, not an intellectual one. Jordan Peele's horror shocker can't compete with its sensational predecessor Get Out, but it doesn't have to. All rights reserved. Best not to think about it too hard, to not ruin a good thing, to demand that Us be anything more than sublimely entertaining and wonderfully thoughtful, endlessly disturbing genre filmmaking. Children in peril. Even though it’s not as tidily satisfying as Get Out, the new film is both darker and more ambitious, and broader in its themes. #BlackLivesMatter. While this film isn't likely to have the same cultural impact, it's still quite good. Jordan Peele isn’t the next Kubrick, M. Night Shyamalan, Alfred Hitchcock or Steven Spielberg. Very scary (jump scares, etc. One theory fixates on the possibility that “The Shining” was Kubrick’s way of confessing he faked the landing on the moon footage, and another obsesses over the details of the hedge maze. But his greatest asset is the performances, which turn an already creepy premise into something endlessly inhuman and unnerving. Us review — how to turn a great book into skilful drama. After one small scare and a few strange coincidences on the beach, the family returns home for a quiet night in, only to have their peace broken by a most unlikely set of trespassers lined up across their driveway: doppelgängers of their family. Hardware Review: Xbox Series X & Xbox Series S Consoles, November Preview: 19 TV Shows & New Movies to Watch at Home. Us is more intuitive than explicatory, more visceral than diagrammatic; it’s horrific in a way that hangs onto your gut when it’s all over. Is it fair to say that Jordan Peele is this generation’s John Carpenter? For the actors, it’s a chance to play two extremes, one of intense normality and the other of wretched evil. Character says he's "going for a smoke. It’s a movie you come out of on fire with questions, a movie you find yourself attempting to explain or have explained to you by total strangers before you’ve even left the theater. We display the minimum age for which content is developmentally appropriate. Us is another thrilling exploration of the past and oppression this country is still too afraid to bring up. As a first film, this movie would have surely been hailed for its promise. How did this one compare? Monica Castillo is a freelance writer and University of Southern California Annenberg graduate film critic fellow. Made with precision, intelligence, and humor, Us is totally bonkers and wildly entertaining in its own right. It's also very scary and violent. A villain's voice is based on the disability known as spasmodic dysphonia, which has caused some controversy. Did You Know? Their doppelgängers may look like them and be tied to them in some way, but their lives are inverses of each other, and their existence has been one of limits and misery. A suspenseful story and marvelous cast need a great crew to make the film a home run, and “Us” is not short on talent. It’s purposefully vague, but jam-packed with more memorable genre imagery and inquisitive discussion starters than most braindead by-the-book cinematic offerings beholden to formulaic blueprints. A woman is handcuffed, and children are sometimes in peril. Does exposure to violent media desensitize kids to violence? After he provided an Oscar-worthy analysis of race relations in "Get Out," now America’s id is probed in Us. Ebert Symposium 2020: Part 3 Streaming Today, November 5th, 2020, The Unloved, Part 83: Resident Evil: Retribution, The American Actor: Kevin Costner on Let Him Go. "Bulls--tty" spoken by a young boy. Us is something of a frustrating watch, a visual and technical marvel that just doesn’t seem to know what it is. The family members (including kids) do what they have to do to survive, including killing doppelgangers in very bloody ways. “Us” is another thrilling exploration of the past and oppression this country is still too afraid to bring up. Our ratings are based on child development best practices. Us proves, if nothing else, that Peele has become a blockbuster visionary, fully in control of his craft. Peele's bloody, startling, totally bonkers horror movie. She separates from them to walk out on the empty beach, watching a foreboding flock of thunderclouds roll in. In the ‘80s scene, when young Adelaide walks into the mysterious attraction, the sign welcoming her is that of a Native American in a headdress above the name “Shaman Vision Quest.” When the family returns to the beach, the sign has been replaced with a more PC-friendly sign bearing a wizard advertising it as “Merlin’s Enchanted Forest,” a bandaid solution to hiding the racist exterior and the horror inside its halls. I feel like I am the only person left on the planet whose free will hasn’t been hijacked. Peele’s visual audacity is at times breathtaking, and always serves a greater purpose. As Adelaide, every facial expression seems to embody an emotion in its purest, uncut form, while her evil double has a twisting, buckling physicality that comes close to avant-garde butoh dance. A stunning sophomore effort from Jordan Peele. Do you think they exist in real life? Smart, emotional thriller with violence and a creepy cult. Terrifying...The less you know going in — and the less energy you spend thinking about it after the fact — the better the movie works, trading on some uncanny combination of Peele’s imagination and our own to suggest a horror infinitely larger and more insidious than the film is capable of representing. But when they get home, they discover a strange family of four standing in their driveway. Us is a tour de force of comic tension and visceral release, a movie that weaponizes our chuckles against us and reminds us that laughing, screaming and thinking are not mutually exclusive pleasures. “It Follows” cinematographer Mike Gioulakis creates unsettling images in mundane spaces, like how a strange family standing at a driveway isn’t necessarily scary, but when it’s eerily dark out, they’re backlit so that their faces go unseen and the four bodies are standing at a higher elevation from our heroes, so it looks like evil is swooping in from above. © Common Sense Media. Choking with chains. Why? Get “Get Out” out of your head, because truly, all Peele’s two thrillers have in common is hype. Us is a true genre flick, polished to a fine degree, a pure distillation of the essence of horror cinema. Perhaps Us stumbles near the end while straining for an operatic, shattering finale that explains everything that preceded it but, after capturing the zeitgeist his first time out, Peele avoids the sophomore slump by methodically laying out his riveting tale.

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