cat. Das Berliner Programm (Berlin, 1930) (ill.). Vauxcelles, Louis, “Au Salon des Indépendants,” Gil Blas (March 19, 1912), as Hommage à Piccasso. Buffalo, Albright-Knox Art Gallery, Painters of the Section d’Or: The Alternatives to Cubism, September 27–October 22, 1967, pp. Boston, Institute of Contemporary Art, The Image Lost and Found, May 14–August 28, 1960, p. 48, cat. (Saint-Tropez: Musée de Saint-Tropez, 1999), p. 181, as Hommage à Picasso. Paris, Société des Artistes Indépendants, 28th Exposition, March 20–May 16, 1912, p. 145, cat. 4, ill.), as Hommage à Pablo Picasso, 1912. Berner Kunstmuseum, Juan Gris, exh. cat. iceuvre Portrait de Dora Maar Dora Maar, muse et artiste Quand Pablo Picasso peint cette toile, Henriette Theodora Markovitch, alias «Dora Maar», est entrée dans sa vie depuis la fin de l année 1935. cat. cat. 2 (Munich: Prestel-Verlag, 1974), p. 560, as Figure. (Basel: Kunsthalle, 1948), p. 13 (cat. : Valentine Hugo / Octobre 1934 / Octobre 1948. Apollinaire, Guillaume, I Pittori Cubisti, trans. Nous vous proposons de découvrir l’évolution de son style artistique à travers ses différents autoportraits, de ses 15 à ses 90 ans. Galerie Georges Petit, Cent ans de peinture française, exh. Voici le portrait d’une d’elles : Dora Maar. Apollinaire, Guillaume, The Cubist Painters, translated, with commentary, by Peter Read (Berkeley: University of California Press, 2004), p. 169, as Homage to Picasso. A l'occasion des 100 ans de la mort du DOUANIER ROUSSEAU, la Fondation Beyeler organise une exposition regroupant une quarantaine d'oeuvres de l’artiste, portraits, paysages et allégories qui ont influencés les artistes comme Kandinsky, Léger ou Picasso. (cat. (Buenos Aires: Museo Nacional de Bellas Artes, 1992), p. 93, as Retrato de Picasso, 1911-1912. Rosenberg, Charles M., “Cubist Object Treatment: A Perceptual Analysis,” Artforum 9, 8 (April 1971), pp. Large Bather - by Pablo Picasso. 123, ill.), 197, as Retrato de Picasso, 1912. cat. (Dortmund: Museum am Ostwall, 1965), n.p. Pablo Picasso née en 1881 et mort en 1973 été en train de révolutionner l'art quand il peint ce tableau : portrait d'Ambroise Vollard en cubiste en 1910. 41. Los Angeles County Museum of Modern Art, The Cubist Epoch, December 15, 1970–February 2, 1971, pp. 13), 27 (ill.), as Hommage à Picasso (Portrait of Pablo Picasso), January-February 1912. Pablo Picasso. 190, 320 (fig. : "Hommage á Pablo Picasso/Juan Gris". Linoleum cut printed in ochre and yellow on thick "offset-fort" paper . 14, 15 (fig. cat. Pablo Picasso Portrait stylise de Jacqueline (Tête de Femme) (Stylized portrait of Jacqueline (Head of a Woman)), 1962 is a vibrant linocut featuring warm golden yellows set against stark black.The work is one of many portraits Picasso created of his second wife Jacqueline Roque, one of his most infamous artistic muses. (cat. To help improve this record, please email . PABLO PICASSO (1881-1973) Portrait de Déodat de Séverac signé 'picasso' (en bas à droite) feutre sur papier 38.4 x 30 cm. From Sims Reed Gallery, Pablo Picasso, Portrait de Jacqueline (1956), Offset lithograph in colours., 66.8 × 50.3 cm New York, Museum of Modern Art, Cubism and Abstract Art, March 2–April 19, 1936, pp. (New York: Museum of Modern Art, 1958), pp. 3, ill.), as Retrato de Picasso. cat. Paris, Galerie Georges Petit, Cent ans de Peinture Française, June 15–30, 1930, n.p., cat. Huile sur toile 100 x 81 cm 1901 Musée national Picasso, Paris Période bleue. 108, pl. Gaya-Nuño, Juan Antonio, Juan Gris (Barcelona: Ediciones Polígrafa, 1974), pp. Duval, Jean-Luc, Journal de l’art moderne, 1884–1914 (Geneva: Skira, 1973), p. 248 (ill.), as Hommage à Picasso, 1912. 59, ill.) 71 (fig. 1, ill.), as Huldigung an Picasso, 1912. (New York: Abbeville Press, 1983), pp. Richardson, John, A Life of Picasso, vol. Daix, Pierre, Dictionnaire Picasso (Paris: Robert Laffont, 1995), p. 419, as Portait de Picasso, 1912. New York, Buchholz Gallery, Cubism, April 5–30, 1949, cat. 3, ill.). 9, 63–65, n.p. The portrait depicts the duality in the relations of Modigliani and Picasso who shared both an artistic rivalry and a mutual admiration. Mosele, Franz, Die kubistische Bildsprache von Georges Braque, Pablo Picasso und Juan Gris unter besonderer Berücksichtigung der Entwicklung der Farbe (Ph.d. Dissertation, University of Zurich, 1973), pp. cat. Information about image downloads and licensing is available here. Nous travaillerons sur Dora Maar 1934. 40, ill.), as Portait of Pablo Picasso, 1912. 29, 42, 48 (fig. Keller, Horst, “Sieg der Malerei über die Welt: Juan Gris,” Köln 4:65 (December 1965), n.p. 11, ill.), 48, as Portrait of Pablo Picasso. Frascina, Francis, Cubism: Picasso and Braque (Great Britain: The Open University, 1983), pp. 31, ill.), 25, 92, 94, 252, as Homage to Pablo Picasso, 1912. Pinterest 345, ill.), as Portrait of Picasso, 1912. Cooper, Douglas, The Cubist Epoch (Oxford and New York: Phaidon and E. P. Dutton, 1970), pp. The artist knew that she had a difficult task, explains curator Jay A. Clarke, but never flinched from her convictions. Portrait of Ambroise Vollard (French: Portrait de Ambroise Vollard) is an oil-on-canvas painting by Pablo Picasso, which he painted in 1910. Pablo Picasso (Spain 1881-1973), Portrait de Dora Maar. 1, ill.), 157, as Retrato de Picasso, 1912. (Paris: Éditions des Musées Nationaux, 1953), p. 37, as Hommage à Picasso, 1912. 4, ill.), 84 (ill.), as Retrato de Pablo Picasso, 1912. Museum Bochum, Hommage à Picasso, Kubismus und Musik, exh. Il s'agit d'un portrait du peintre Pablo Picasso assis. Cottington, David, Cubism and its histories (Manchester: Manchester University Press, 2004), pp. Kahnweiler, Daniel-Henry, Les années héroiques du cubisme (Paris: Braun, 1950), n.p. 79, ill.), as Portait of Picasso, 1912. Fort Worth, Kimbell Art Museum, The Age of Picasso and Matisse: Modern Masters from the Art Institute of Chicago, Oct. 6, 2013–Feb. portrait de femme de Pablo Picasso (1881-1973, Spain) | | WahooArt.com Musée Municipal de Boulogne-Billancourt, Juan Gris: et les dimanches de Boulogne, exh. 2), 87 (ill.), as Omaggio a Picasso, 1912. 22 avr. Mga lista kan mga tinokdang pintura ni Pablo Picasso. (Paris: Orangerie des Tuileries, 1974), pp. 26, 94 (fig. (Milan: Mazzotta, 1991), p. 58 (ill.), as Hommage à Pablo Picasso, 1911-1912. Huile sur toile. 41), as Portrait de Pablo Picasso, 1912. Nishimura, Toshio (ed. 32, ill.) as Portrait of Picasso, 1911-12. Sold, Hôtel Drouot, Paris, June 13–14, 1921, Kahnweiler sequestration sale, lot 49, to “Grassat” for Galerie Simon [letter from Kahnweiler of October 21, 1975 and December 2, 1975 in curatorial file]. 8, ill.), 76 (ill.), as Portrait de Picasso/Hommage à Pablo Picasso, 1912. 306, 320, and 379–380, cat. Cox, Neil, Cubism (London: Phaidon, 2000), pp. Buffalo Fine Arts Academy, The Art of Today, exh. Golding, John, Cubism: A History and an Analysis, 1907–1914 (New York: George Wittenborn, 1959), pp. Skip to Main Content. cat. cat. Henry, Daniel, Juan Gris (Leipzig: Klinkhardt and Biermann, 1929), p. 2 (ill.), as Bildnis Picassos, 1912. 11, 21 (cat. Cottington, David, Cubism (Cambridge: Cambridge University Press, 1998), pp. 24–25, 152, and 177, cat. cat. Berger, John, The Success and Failure of Picasso (Baltimore: Penguin Books, 1965), p. 58 (fig. cat. 14 (no. (ill.). De même pour le corps. cat. 2019 - Découvrez le tableau "Portrait picasso" de thomas.nrmd sur Pinterest. Kunsthaus Zurich, Juan Gris, exh. cat. “Je ne représente pas le monde tel que je le vois, mais tel que je le pense”, a déclaré l’artiste. (ill.), as Hommage à Picasso, 1911. 9), 42 (ill.), as Portrait of Picasso, 1912. Kahnweiler, Daniel-Henry, Juan Gris: sa vie, son œuvre, ses écrits (Paris: Gallimard, 1946), pp. Sidney Janis Gallery, Cubism 1910-1912, exh. Portrait of Pablo Picasso is an oil on paper mounted on card painting by Italian artist Amedeo Modigliani created in 1915. (Valencia: IVAM Centre Julio González, 1990), p. 19, as Hommage à Picasso. Portrait of Aunt Pepa - by Pablo Picasso. [3] Currently the Portrait of Pablo Picasso is in a private collection. Einstein, Carl, Die Kunst des 20 Jahrhunderts (Berlin: Im Propyläen, 1926), pp. 33), xx (ill.), as Portait Picasso/Hommage à Pablo Picasso/Portrait de Picasso, 1912. C 13). (Bern: Kunsthalle, 1948), n.p. 6, ill.), 152, 177, as Portrait of Picasso, 1912. 48 (pl. (Zurich: Kunsthaus, 1933), p. 5 (cat. Cabanne, Pierre, Cubism (Paris: Pierre Terrail, 2001), pp. Medidas 140 x 140 cm. Musée national Picasso, Paris. 7, ill.), as Portrait of Picasso, 1911/12. C'est alors l'une des premières peintures cubistes réalisées par un autre peintre que Pablo Picasso ou Georges Braque. Madrid, Museo Nacional del Prado, The Spanish Portrait: From El Greco to Picasso, October 20, 2004–February6, 2005, pp. Soby, James Thrall, Juan Gris, exh. Hattendorff, Claudia, Künstlerhommage: Ein Bildtypus im 19. und 20. Orangerie des Tuileries, Juan Gris, exh. 33, Braque/Léger (Japan: Shogakukan, 1978), n.p. 47 (fig. (New York: Museum of Modern Art, 1942), p. 50 (ill.), as Pablo Picasso, 1912. (New York: Sidney Janis Gallery, 1956), n.p. ), Braque et le cubisme (Tokyo: Chuokoron-Sha, 1973), n.p. 41), as Hommage à Picasso, 1912. Kahnweiler, Daniel-Henry, Der Weg zum Kubismus (Stuttgart: Gerd Hatje, 1958), p. 94 (ill.), as Picasso, 1912. Pablo Picasso Paintings. (ill.), as Portrait de Picasso, 1912. Albright-Knox Art Gallery, Painters of the Section d’Or: the Alternatives to Cubism, exh. Aznar, José Camón, Picasso y el cubismo (Madrid: Espasa-calpe, 1956), pp. Portrait de Gertrude Stein – Pablo Picasso Représentant la célèbre écrivaine américaine Gertrude Stein, Picasso était sur le chemin de la prochaine nouvelle période de son travail et de toute la direction de la peinture. 20 (cat. 86 (fig. Amsterdam, Gemeentemuseum, Tentoonstelling van Fransche Kunst: Ecole de Paris, April 1932, cat. Object information is a work in progress and may be updated as new research findings emerge. cat. 43, ill.), as Portrait of Picasso, 1911-12. Cooper, Douglas, Juan Gris : catalogue raisonné de l’œuvre peint (Paris: Berggruen, 1977), pp. 65, 66 (ill.), 67, as Portrait of Pablo Picasso, 1912. Science and Charity - by Pablo Picasso. Notas L'oeuvre est présentée selon une rotation de 90°, comme un losange Paris, Centre national d’art et de culture Georges Pompidou, Le Futurisme et Paris, October 15, 2008–January 26, 2009. Portús, Javier, The Spanish Portrait: From El Greco to Picasso, exh. cat. Here he fractured his sitter’s head, neck, and torso into various planes and simple, geometric shapes but organized them within a regulated, compositional structure of diagonals. 102, ill.), as Picasso peint par Juan Gris. Ámbito Peinture: Técnica Huile sur contreplaqué. Madrid, Spain, Ministry of Culture, Juan Gris [1887–1927], September 20–November 24, 1985, pp. (Buffalo: Albright-Knox Art Gallery, 1967), pp. Open today 10–11 a.m. members | 11 a.m.–6 p.m. public. Dès la fin des années 1920, Dora Maar multiplie les rencontres artistiques (New York: Buchholz Gallery, 1949), n.p. “Juan Gris,” Cahiers d’Art 5–6 (1933), n.p. Peppiatt, Michael, “Summer riches,” Artnews 73, 6 (Summer 1974), p. 76. (Washington D.C.: National Gallery of Art, 2000), p. 87 (fig. 49), 32 (ill.), 78, 81, 240, as Retrato de Picasso, 1912. cat. John Szoke. The inscription, “Hommage à Pablo Picasso,” at the bottom right of the painting demonstrates Gris’s respect for Picasso as a leader of the artistic circles of Paris and as an innovator of Cubism. 18, 20, 28, and 117 (ill.); traveled to the Minneapolis Institute of Arts, June 24–July 24, 1958; San Francisco Museum of Art, August 11–September 14, 1958; and Los Angeles County Museum, September 29–October 26, 1958. (fig. 54 (fig. Etienne Bignou (1891-1950), Paris and Bignou Gallery, New York, by April 1933 (possibly as early as June 1930 to at least April 1946) [Zurich 1933 and Paris 1930; letters to Bignou from Alex Reid and Lefevre March 22 and April 18, 1946]. 1 1881–1937 (Paris: Denoël, 1975), p. 255, as Hommage à Picasso. 63), 1933. Photographie. (Paris: Paris Musées, 2000), pp. Discover and collect art from Pablo Picasso’s iconic Portraits of Artists and Sculptors series and more. Sold by Jacques Seligmann and Co., New York to Leigh Block, Chicago, June 1949 [Block Collection Card in curatorial file]; given to the Art Institute, 1958. 306, 320 (cat. Vézelay, Paul, “Juan Gris,” Artwork 4, 16 (Winter 1928), p. 259 (ill.), as Portrait of Picasso, 1912. Museum für Neue Kunst, Die Kunst der Frühen Jahre Freiburg 1945–60, exh. It is painted in the style of Analytical Cubism, which Picasso pioneered. Sign up. Puis les différents portraits. (Paris: Galerie Georges Petit, 1930), n.p. Musée national-Picasso, Paris. s’amuse à ahe la pa tie basse du visage juste en dessous du nez avec une feuille de papier, le visage apparaît de fae. (New York: Museum of Modern Art, 1989), p. 389, as Portrait of Picasso. “Modern Museum Opens Show Despite Ignorance of U. S. Martinets,” Art Digest 10, 12 (March 15, 1936), p. 10 (ill.), as Portait of Picasso (Hommage à Picasso), 1912. Wood, James N. and Katharine C. Lee, Master Paintings in The Art Institute of Chicago (Chicago: Art Institute, 1988), p. 117 (ill.), as Portrait of Picasso, 1912. Leymarie, Jean, Picasso: Métamorphoses et unité (Geneva: Skira, 1971), p. 226 (ill.), as Portrait de Picasso, 1912. Cooper, Douglas, “Gertrude Stein and Juan Gris,” Apollo 93, 107 (January 1971), p. 29, as Portait of Picasso, 1912. cat. Self Portrait - by Pablo Picasso. Wood, James N. and Debra N. Mancoff, Treasures from The Art Institute of Chicago (Chicago: Art Institute, 2000), p. 246 (ill.), as Portrait of Pablo Picasso, 1912. V.90, ill.), 83, as Hommage à Pablo Picasso, 1912. (pl. cat. Clark, Eliot, “New York Commentary,” Studio 156, 787 (October 1958), p. 122, as Portrait of Picasso, 1912. cat. Robertson, Bruce, Twentieth-Century American Art: The Ebsworth Collection, exh. Il n’est pas réaliste et on dit qu’il est « cubiste ». 225, ill.), 201, 287, as Portrait of Picasso, 1912. 94, fig. 5), as Portrait de Pablo Picasso, 1912. no. Editorial. Rappel de la lecture du portrait chez Picasso. 41 (fig. 9, ill.), 27, 45, as Portrait of Picasso, 1911-12. (Bern: Kunstmuseum, 1955), n.p. Wertenbaker, Lael, The World of Picasso (New York: Time Life Books, 1967), pp. 84, 329 (ill.), 563, as Bildnis Picassos, 1911. 3/ PABLO PICASSO, Portrait de Dora Maar, 1937. 8 (ill.). 144, 145 (fig. Green, Christopher and Christian Derouet, Karin von Maur, Juan Gris, exh. 28 (fig. [5], "Amedeo Modigliani Artworks & Famous Paintings", "Portrait of Pablo Picasso by Amedeo Modigliani", "The History of Amedeo Modigliani's Portraits DailyArt Magazine", Femme au béret et à la robe quadrillée (Marie-Thérèse Walter), Picasso. Basel, Kunsthalle, Juan Gris, Georges Braque, Pablo Picasso, February 26–March 24, 1948, cat. Cogniat, Raymond, Les Créateurs du Cubisme, exh. 4, and 122–123, cat. 6, ill.), 36, as Portrait of Picasso. Juan Gris peint le portrait en 1912. “Picasso: The First Fifty Years,” Vogue 129, 10 (June 1957), p. 97 (ill.). 7 (ill.), as Hommage à Pablo Picasso, 1911. Art Institute, The Art Institute of Chicago: 100 Masterpieces (Chicago: Art Institute, 1978), p. 128 (no. Grohmann, Will, “Die Kunst der Gegenwart auf der Internationalen Kunstausstellung Dresden, 1926,” Der Cicerone 18 (June 1926), p. 400 (ill.), as Bildnis Picasso. (cat. Il s’appelait Pablo Picasso. 2. Rossi, Laura Mattioli, Boccioni 1912 Materia, exh. 13), 57 (ill.), as Portrait of Picasso, 1912. Musée Cantini, Juan Gris: Peintures et dessins 1887–1927, exh. Pablo Ruiz Picasso, né à Malaga (Espagne) le 25 octobre 1881 et mort le 8 avril 1973 à Mougins (Alpes-Maritimes, France), est un 122, ill.), as Portrait of Picasso, 1912. Portrait de Pablo Picasso est une peinture à l'huile sur toile. 94), as Portait of Picasso (Hommage à Picasso), 1912. Musée de Saint-Tropez, Les chemins du cubisme, exh. Voir plus d'idées sur le thème picasso, pablo picasso, art picasso. cat. 2), as Bildnis Picassos. 15 (ill.). Sell. (15 1/8 x 11¾ in.) Warnod, Jeanine, Washboat Days, trans. 114, 115 (ill.), as Portrait of Picasso, 1912. 16 (ill.), 17 (detail), 63, as Retrato de Pablo Picasso, 1912. 21, ill.), as Hommage à Picasso, 1912. Woolf, S. J. , “Its Foster Father Talks of Modern Art: Vollard Brought Out Painters of Genius,” New York Times (November 15, 1936), p. SM9 (ill.). (Berlin: Galerie Alfred Flechtheim, 1930), n.p. (Buffalo: Fine Arts Academy, 1936), p. 7 (cat. (New York: Sidney Janis Gallery, 1958), n.p. (fig. Caroli, Flavio, Primitivismo e cubismo (Milan: Fratelli Fabbri, 1977), pp. (Paris: Gazette des Beaux-Arts, 1935), n.p. Maxon, John, The Art Institute of Chicago (New York: Harry N. Abrams, 1970), pp. The Death of Casagemas - by Pablo Picasso. Frontisi, Claude, “La peinture lucide de Juan Gris,” in Hommage a Juan Gris (1887–1927): Centenaire de sa naissance (Paris: L’Avenir Graphique, 1987), p. 15, as Hommage à Picasso. Derouet, Christian, Correspondances avec Léonce Rosenberg, 1915-1927 (Paris: Centre Pompidou, 1999), p. 13, as Hommage à Picasso. 8), 123 (ill.), as Retrato de Pablo Picasso (Hommage à Pablo Picasso), 1912. The uneven two-toned face of the subject suggests an inner conflict within the artist, as well as between artist and subject. 178 (ill.), 472 (note 41), as Hommage à Picasso/Portrait of Picasso, 1912. Infos tableau. 108, pl. Bréon, Emmanuel, Juan Gris à Boulogne (Paris: Herscher, 1992), p. 17 (ill.), as Hommage à Picasso, 1912. Date 1947 Dimensions 65,5 x 56 cm Technique Huile sur toile Emplacement Théâtre-Musée Dalí ... Pichet et coupe de fruits, par Pablo Picasso. 10, ill.), 302, as Homage to Pablo Picasso, 1912. (cat. 48, 56 (cat. Fecha de creación octobre 1934 - octobre 1948. Museum am Ostwall, Juan Gris, exh. Parinaud, Andre, “Les Independants, la critique et la presse: L’affirmation de la modernité, 1884-1914,” in Un siècle d’art moderne: L’Histoire du Salon des Independants, 1884-1984 (Paris: Éditions Denoël, 1984), p. 105, as Hommage à Picasso. Larson, Kay, “The Genius of Gris,” New York Magazine (June 11, 1984), p. xx, as Portrait of Picasso, 1912. Speyer, A. James and Courtney Graham Donnell, Twentieth-Century European Paintings (Chicago: University of Chicago Press, 1980), p. 44 (no. (Baden-Baden: Kunsthalle, 1974), pp. (fig. 67, ill.), 320, as Portrait of Picasso, 1912. (ill.), as Bildnis Picasso, 1912. 87, ill.), as Portrait of Picasso, 1912. 22, 23 (fig. 378), as Bildnis Pablo Picasso. cat. 200 (no. Mock, Jean Yves, “Notes from Paris and London: Juan Gris, A Retrospective Exhibition, at the Marlborough Gallery,” Apollo 67, 397 (March 1958), p. 88. cat. cat (Art Institute of Chicago, 2010), p. 237-238, fig. Transition 19–20 (June 1930), n.p. Arnason, H. H., History of Modern Art: Painting, Sculpture, Architecture (New York: Harry N. Abrams, 1968), pp. Etienne Bignou, Paris.”, Buffalo Fine Arts Academy, Albright Art Gallery, The Art of Today, January 3–31, 1936, p. 7, cat. Adrichem, Jan van, De ontvangst van de moderne kunst in Nederland 1910-2000: Picasso als pars pro toto (Amsterdam: Prometheus, 2001), p. 188 (ill.), as Portret van Picasso, 1912. 378. [3] Even though Picasso is said to admire Modigliani's art, needing a canvas he once painted over a Modigliani's work he had acquired. Wood, James N. and Teri J. Edelstein, Sally Ruth May, The Art Institute of Chicago: The Essential Guide (Chicago: Art Institute, 1993), p. 249 (ill.), as Portrait of Pablo Picasso, 1912. Cooper, Philip, Cubism (London: Phaidon, 1995), pp. Immenga, Silke, Picasso und Spanien: Kulturelle Identität als Strategie (Frankfurt am Main: Peter Lang, 2000), pp. En 2016, un collage de Picasso de 1914 est acquis par le musée de Grenoble pour la somme de 750 000 euros [98]. (Ferrara: Ferrara Arte, 2004), pp. [2], Modigliani and Picasso first met in Paris in 1906 when Modigliani lived in Le Bateau-Lavoir artistic community where Picasso had a studio and worked on such works as Les Demoselles d’Avignon. 2A7), 45, as Portrait of Picasso, 1912. Pablo Picasso est sans conteste l’un des artistes les plus fascinants et les plus intrigants du XXème siècle. 21 (ill.), as Hommage à Picasso. 151, 179–181, 291 (no. Portrait de Pablo Picasso. 9 (ill.), as 1911-12. Infos tableau. 0,184/0,119 cm. Apollinaire, Guillaume, “Les Salon des Indépendants,” L’Intransigeant (March 25, 1912), as Hommage à Picasso. 43, ill.), as Portrait de Picasso, 1912. cat. Paris, Galerie Simon, Exposition Retrospective Juan Gris, June 4–16, 1928, cat. “Two New Cubist Paintings by Juan Gris and Pablo Picasso,” Bulletin of the Cleveland Museum of Art 68, 2 (February 1981), pp. 26, 94, fig. Kunsthalle Baden-Baden, Juan Gris, exh. Sidney Janis Gallery, Ten Years of Janis, exh. Il l’a peinte de plusieurs façons. Félia Leal and Alfred Rosset (Geneva: Pierre Cailler, 1954), n.p. B. Schiratzki, Der Querschnitt 5, 1 (January 1925), p. 33 (ill.), as Bildnis Picasso, 1910. Inscripciones S.D.DR.B.M. 97, ill.). Portrait de Marie- Thérèse, Pablo Picasso Epoque : XXe Domaine artistique : Arts visuels (peinture) Mouvement : Cubisme Genre : Portrait Dans ce portrait, le visage est représenté à la fois de face, de 3/ 4 et de profil. Painter and Model - by Pablo Picasso. London, Alex Reid and Lefevre, L’Ecole de Paris, November 1938, cat. 6 (ill.); traveled to Washington D. C., National Gallery of Art, October 15–December 31, 1983; and New York, Solomon R. Guggenheim Museum, May 18–July 15, 1984. 5. Portrait de Pablo Picasso (ou parfois Hommage à Pablo Picasso) est une peinture de l'artiste espagnol Juan Gris, réalisée en 1912. Pablo Picasso touche à tous les courants picturaux du XXème siècle, surréalisme, expressionnisme ou néo-classicisme, (Dresden: Internationale Kunstausstellung, 1926), p. 66 (cat. In the autumn of 1905, on his return to Paris from Gosol, Picasso at last succeeded in completing his adamantine Portrait of Gertrude Stein, which he had begun …
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